LoRA

Rain-slick neon, volumetric haze and anamorphic flare — a cinematic night-city grade that survives heavy colour work.

Warm, low-sun portraiture — rim light, soft bokeh and honeyed skin tones straight out of the box.

Sumi-e brushwork — confident single-stroke gestures, dry-brush texture and generous negative space.

The look of pushed 35mm colour negative — halation, grain structure and that slightly-off Kodak palette.

Pastel synthwave — chrome, palm silhouettes, gridded horizons and 80s mall-nostalgia colour. Free to try.

Stop-motion clay — visible fingerprints, matte plasticine surfaces and that lovable handmade wobble.

Technical blueprint linework — white lines on cyan, dimension callouts and orthographic precision.

Edo-period woodblock — flat colour fields, confident key-block outlines and the texture of hand-printed washi.